Lee Stephen

The website of author Lee Stephen

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TNBT Cast: Adam Gregory (Scott Remington)

Scott was five feet and eleven inches tall, with a body as toned as one would expect from a soldier fresh out of Philadelphia Academy. He was a handsome young man, or at least she thought so. And her opinion was the only one that mattered.
Scott was five feet and eleven inches tall, with a body as toned as one would expect from a soldier fresh out of Philadelphia Academy. He was a handsome young man, or at least she thought so. And her opinion was the only one that mattered.

 

Want to know what this is about? Check out this blog entry!

Though the pace of these entries has slowed down (I view this as more of a long-term thing as opposed to a bunch of quick hits, just ’cause hey – it’s fun that way), but I wanted to be sure I got this one before the audiobook dropped. I teased this in the last entry, so those who have kept up should have known what was coming. Epic is not Epic without Scott Remington…and we have our Scott Remington.

I’m going to be honest and admit that I wasn’t even sure I’d cast Scott in this series. He’s hard because he’s Scott, the “face of the franchise,” so to speak. He’s also the reader. As people read the story, they’re reading Scott’s head, his thoughts, his transitions from one idea to the next. I had feared that he’d be far too personal a character to put an image to. I am exceedingly happy to say, I was wrong.

 

[stextbox id=”black” image=”null”]Excerpt from Epic 3: Hero

Beside Scott, Nicolai kissed his blood-encrusted dog tag—the one belonging to the man he’d presumably murdered. Scott would have been disgusted if he hadn’t grown used to it long ago. He looked sidelong at Svetlana. She would never have experienced anything like this before. This was a different situation than the one she’d been in previously with the Fourteenth. Now there were twice as many Nightmen in the unit, and they were ten times more radical than the Nightmen before them, Anatoly and Baranov. This new crew took totalitarianism to the extreme.

At that moment, Scott did something that surprised even himself—he gently squeezed the back of Svetlana’s neck. Unspoken reassurance. For a moment, he felt her tension release.

“Coming down hot!” Travis yelled from the cockpit.

Scott latched on his faceless helmet. It attached to the clamps of his armor. He stared through its interior view screen, where a transparent map of the church appeared. He watched as Svetlana removed her helmet briefly to pull an insulated layer of rubber over her head. The blond tips of her hair disappeared, and she slipped her helmet back on.

The Pariah’s inertia shifted. They were about to drop.[/stextbox]

 

I came across Adam Gregory, ironically, while looking to fill another role in this casting series. The moment I saw him, that search I was on (and I don’t even recall who it was for) came to a halt, and I said to myself, “That’s Scott – I’ve got to reach out to this guy.” He was extremely gracious about the concept of this casting series and was completely down with my tabbing him as Scott for this entry. Believe it or not, this all went down over a year ago! Just goes to show you how time flies.

I’m not going to spend a lot of time talking about Scott the character, because if you’re a fan of Epic, there’s nothing I can tell you that you don’t already know. If you’re not among the Epic faithful, all you need to know is that Scott Remington is the protagonist of this entire novel series. Not one of the protagonist. He is the protagonist. So putting a face to the name – even for imaginary purposes such as this one – is a really big deal. Without spoiling anything (and Epic fans just know this), Scott is a man of strong faith who has been to the depths of emotional hell and back, and who has a dark streak because of it. He describes himself in Dawn of Destiny as a “nice guy with a guy,” but I think we all know there’s a lot more to him than that. He’s a battle-scarred soldier with an inclination to take things over because, well, he can do it and you can’t. He’s a one-woman man who can’t seem to escape love-triangle-infused personal demons. In other words, he’s a very challenging cast. That I was able to ask for and receive Adam’s blessing for this is very, very meaningful. So I’m going to turn my focus for this entry on Adam himself, because he’s got some ridiculously cool things going on!

What most people who already know Adam will know him from is Bold and the Beautiful, where he played the role of Thomas Forrester for several years, and the CW’s adaptation of 90210, where he played Ty Collins. You can find ample information about those shows online, as they’re both ginormous and have massive, massive followings. But what I want to touch on in regards to Adam is something different that people may not know about – something called The Janus Project.

 

Adam Gregory is a bad, bad man.
Adam Gregory is a bad, bad man.
(he’s actually not)

 

The Janus Project is listed as a psychological fantasy thriller, which is a category in and of itself that catches your eye. Off the top of my head, I can’t remember ever hearing a title listed as that sort of “genre” before, so it’s immediately intriguing. There’s a lot of info about how and where the film is being produced, and the tagline for the trailer, which you can see below, is pretty direct: The relationship of SHANE, an ex-special ops soldier, and LEXI, a gifted psychology student, is tested as supernatural forces threaten to transform reality as they know it. Targeted by this evil, an ancient secret society called The Vii, SHANE must overcome the trials of his past to embrace his true self and unlock his power.

 

 

You guys should know by now that I’m a big fan of being different and taking chances. That’s one of the allures of this project to me. It most decidedly looks different, and as far as independent films go, budgeting one for between $10-30M is a pretty big chance. So I have this one slated as one I’d like to see, however it ends up being distributed. I can say this with all certainty: I’ve seen a lot of independent films advertised, as I tend to run in those circles with moderate frequency. This is hands-down the highest-quality one I’ve seen, judging by the trailer and sheer size of the production. I almost don’t even want to call it independent, but it is what it is. The production value is definitely several steps up from what you’re likely accustomed to seeing in indie film. I don’t mean that as a slight in the least to other indie projects! This one just seems to have a truly titanic budget to work with.

There are other projects, of course, that Adam has either in the works or being released, such as Saints and Soldiers – the Void, which released about a month ago, all of which you can learn about by tracking Adam on IMDb or at his Twitter account here. What you’ll find (and it’s always refreshing to find this) is a normal guy doing the whole husband/daddy thing when he’s not busy on set. I can relate to him on a lot of these counts, as we both have toddlers at about the same age. You’ll find a lot of kid photos, and family-related tweets, which is always just nice and a reminder that people aren’t the roles they play. I’m so grateful that I was able to discover Adam and that he was kind enough to lend his likeness to Epic’s little casting series.

It’s getting those blessings that makes this casting series what it is – something above the norm of just sticking people’s photos on a blog entry. Hearing back from someone I contacted and hearing that they’re game for this just makes it special. Adam is a perfect Scott Remington, from his look, to his style, to who he is as an individual (he, like Scott, is a man of strong personal faith). It actually can get a little bit frustrating, as finding these spot-on actors and actresses just makes me want to start filming a movie! But that’s a good kind of frustrating. It’s the kind of frustrating that makes you want to push harder and reach further. Slowly but surely, we’re getting there.

Thank you, Adam, for your willingness to be a part of this. I’m excited to see what Janus has in store.

No more casting entries in the immediate future, folks, though I have some targets on my hit list! But there will be a kind of “Season 1 summary” entry coming up, just kind of recapping where this unique little set of entries is now. There will be more to come at some point!

Take care, people!

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Enemy When?

The question was posed to me today whether or not I’d get back to writing Enemy One now that the audiobook was completed and only waiting for release. The answer to that is an emphatic yes. I have a lot of ground to cover, and I want to cover it quickly. I wrote today for the first time in a very, very long time, managing to get in almost five hundred words in the span of a toddler’s 90-minute nap. Five hundred words may not seem like much, but five hundred words a day would duplicate TGB in less than a year. Not only do I not intend for E5 to be that long, I absolutely plan on writing more than five hundred words per day.

Five hundred words per day is my target minimum, and my target length for E5 is 120,000 words (in-between DOD and Hero). If I meet my minimum, E5 will be written in 240 days, assuming E5 is indeed 120k in length. For those curious, that puts E5’s finish date at May 21, 2015.

Don’t treat that as gospel. Just like on some days, my word count might be 3,000-5,000, there might be some weeks when writing anything at all is just not a possibility. Life never stops or slows down. If you don’t believe it, have a kid. But here’s the promise I want to make to you: I will work my tail off to get E5 finished as quickly as possible. I will never sacrifice quality for quantity, but quantity nonetheless is an area I’m putting more emphasis on now than ever before.

Enemy One has been a challenging experience, to say the absolute least. It may surprise some to know that I’ve already written about 100,000 words’ worth of the book, so there has been great effort taking place on my part to write Enemy One even though the fruit of that hasn’t materialized for the reader. You see, the problem with those 100,000 words is that, so far, they’ve only comprised of the first 10,000 words of the book. More has been deleted and rewritten in E5 than with any other book, bar none. I write, I realize it’s awful, I delete. I write, I realize it’s awful, I delete. The cycle has gone on and on since TGB‘s release. There have been a lot of factors to this. First and foremost, though I hate even bringing it up, getting cancer did a number on me mentally and emotionally. I just did not want to write Epic. Some might find it curious that I’ve actually written a few other projects during that same stretch of times, including the Xenonauts novella (Crimson Dagger) and a yet-unannounced project that is BIG. I can only offer this as an explanation: Epic is my heart. I can write other things rationally, methodically, like a job. But Epic has always come from deep within, and every time I reached deep within while dealing with cancer, I found sadness. I tried to write nonetheless, but the results were never good, and so they were deleted.

Enemy One follows TGB, and that in itself has been a huge problem. I knew what was going to happen in Enemy One to the point where it became boring to write, and when you’re writing while bored, the writing will be boring. I was going through the numbers. They do this, then they do this, then they do this, etc. etc. It wasn’t even Epic anymore. It was the same kind of self-published drivel I’ve fought my entire writing career to separate myself from. It would have sparked review headlines like, “Was this even written by the same author?” and I wouldn’t have been able to refute them at all. It was a predictable story that was just going through the motions. I can’t write something that I know will turn out like that.

You see, there comes a problem with planning too far ahead, because you become so familiar with the story, the writing becomes more a chore than a passion. It’s a catch-22, because without a plan, you literally have no idea where you’re going, and the story reflects that. I actually tried that, too, scrapping the plan entirely and just writing with no direction. It didn’t work. 10,000 words deleted (again). Just the same, the plan I had was no longer exciting me, so I wrote a new one. It’s the one I’m working through now, and it’s great. I’m not just saying that. It has many elements of my original vision for E5, but with much stronger foundations, convictions, and flat-out excitement. It was a fresh coat of paint that Enemy One desperately needed.

I do know where Epic is going. It isn’t a directionless tale with no ending in sight. The series has an ending (which I know) which will take place in either 7 or 8 books. I know what will happen, for the most part, in those books. I just don’t know if E7 will be enough to wrap everything up. I’ll see when I’m finishing E6. But it has a plan. I just try not to look at it too much.

So those are explanations and a general update about where E5 has been, is, and is going. This is kind of a crossroads for both the series and the Epic brand. You’ll know what I mean in time. Just know that things are getting back to good, this writer is trying hard, and there’s no reason to be anything other than optimistic about Epic’s future.

In the meantime, I’ll be posting about the progress I’m making. I want you in on this journey with me! I’ll never spoil things, but on occasion what I’m writing might spur a thought which I’ll share. I like to be interactive, and your interactions mean more than you’ll ever know. Thank you for bearing with me, thank you for always being an encouraging word, and thank you for being a part of Epic. You’re as big a part of it as Remmy himself.

I’ll post again soon!

-LS

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‘Dawn of Destiny’ Audiobook Coming Oct. 14th!

I am ecstatic to announce that after four-and-a-half years, the Dawn of Destiny audiobook officially has a release date! On October 14th, DOD will go live on CD Baby, iTunes, and Amazon under the vocal category of music album.

Because DOD is being uploaded as a music album as opposed to an audiobook, it will not be available on Audible. There are several reasons for this, one of which is that the file quality of Audible uploads is not up to par with the quality of the DOD production. Years were spent making sure the sound quality was top-notch, so it seems a slight to the consumer to have that quality reduced on the market. By going through CD Baby, the audio will be released as intended: with the absolutely highest quality. This actually makes purchasing the audiobook easier, as listeners would be able to purchase it the same way they’d purchase a release from their favorite band. DOD will still be available on Amazon, just not through their Audible platform.

I’m excited to talk more about this as the release draws nearer. Until then, enjoy the official launch trailer below!

 

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Epic Interview: Kevin Tye

Ladies and gentlemen, boys and girls, it’s time for another interview! Kevin, the most recent entry into our The Next Big Thing casting series, was gracious enough to join me for an interview where we touched on everything from music production to the World Cup.

NOTE: I mistakenly stated during the interview that the current leader of our Lightning Round had three points. In actuality, there is currently a two-way tie for first place with two points a piece. This is important!

TRIVIA LEADER BOARD
1. Andrea Drepaul (2.0)
2. Mark Elias (2.0)
3. Mishael Morgan (1.5)

Keep up with Critical Imprint at Soundcloud or on Facebook here. Don’t forget to also follow Kevin on Twitter @thekevintye, @the_magic_cube, and @criticalimprint!

 

LISTEN TO THE PODCAST HERE.

 

Want to be a guest? Send me an email or tweet me on Twitter!

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The End of a Journey: An Audiobook Produced

Audiobook

Four-and-a-half years. Don’t they pass in a blink?

In late 2009, a crazy thought entered my mind. Could Epic make the jump to audio? Other writers were doing it. It was kind of the thing to do. And so I leaned back in my chair, propped my hands beneath my chin, and wondered 1) is this a smart idea, and 2) could I even feasibly do it? The answer to both questions, resoundingly, was no. Naturally, I did it anyway.

The decision to create an audiobook version of Dawn of Destiny was much like deciding to jump out of an airplane blindfolded and without a parachute. I’m a person of many a spontaneous idea. This was, without a doubt, the most recklessly I’ve dived into any of them. I am not an audiobook person. I don’t enjoy listening to them. With rare exception, I don’t like it when people read stories to me. But I like movies. And people always say Epic should be a movie.

Hmmm…

This is how reckless ideas become long-term investments. I decided that if I was going to do something boneheaded, I was at least going to do it right. No narrator reading everything. I would absolutely, positively not read it myself. But I would cast it. Like a movie. With characters, and music, and explosions. Like Michael Bay, but smart. And yes, I would need a narrator to reel it all in–to be the gel that holds the whole thing together. But he would supplement the action. He wouldn’t say what didn’t need to be said. This was sounding better by the minute. And so on January 3rd, 2010, I posted a project audition on numerous voice-over websites. “Come work for me, and I’ll pay you next to nothing.” It sounds cheap, but it’s what I could afford. I’m not Michael Bay. I’m an independent writer from Des Allemands. “Next to nothing” was still gonna break my bank. I didn’t expect to turn many heads.

Over 200 applicants later, I realized I was creating a monster. People wanted to do this. Good, talented people. Okay now…this thing might could be done. Fast-forward ten thousand dollars USD, and I had twenty-five voice-over artists and a stockpile of music and sound effects. I was ready to rock and roll. The only things I needed now were five clones to work on it.

I spent the next months getting the dialogue recorded. This is a process that can be easily explained. Pick up a novel. Catalog everything in quotation marks. Having fun, yet?

It struck me sometime during the fifth hour of producing the first minute of a 9+ hour audiobook that I might be in over my head. I had files and files of recorded dialogue to sift through and decide upon. Do I like the way Scott says “Yes sir,” in this take, or in that one? Or in the one after that? Or the one after that? Now let’s hear Colonel Lilan’s takes. And so on, and so on. Now let’s add music. But the music track is too long. So let’s deconstruct parts of it and create a musical Frankenstein by copying and pasting certain notes in certain places. Then, after that, discover a new song that fits the mood better and is perfectly sized, thus making all your previous hard work moot. But at least it sounds right, now. Two weeks later, and the first five minutes are sounding pretty nifty. Too bad the file sizes are so big that your computer can barely store them. Time to buy an external hard drive. Keep all the files there. Only import the ones you need. Now I have multiple files of the same name on multiple hard drives. Do I keep them both, or junk the old ones? Junk ’em – no use keeping obsolete files when I’ve put days into making them better. Drag to recycle bin, empty. Oh, wait. That was the new one.

It sounds like I’m complaining, but I’m actually not. Yes, this project gave me lots to complain about, none of which I should receive sympathy for, because I did this to myself. But my intent here is to try and convey why this project took four-and-a-half years. Mix into that having a full-time job, and getting diagnosed with cancer, and having a first baby. Mix into that life, because believe me, in that four-and-a-half year stretch, life kept happening. Not to mention in the midst of all this, I was feeling the pressure of having to finish the 160,000-word behemoth, Epic 4: The Glorious Becoming. I’ve had a lot of folks (very politely) ask when the audiobook will be released. While no one has straight-up asked, “Lee, why the heck are you so freaking slow?” I’ve nonetheless always felt the pressure of answering that question. And so here’s the answer: creating an audiobook like this was the kind of project that no person in their right mind ever should have attempted on their own. The best way I can describe it is to say, imagine if you signed on to build a Corvette from scratch in your garage. That’s about as close as it gets.

There are two individuals who singlehandedly (doublehandedly?) saved this project. The first is Patrick Quance, the audiobook’s chief narrator. About a year-and-a-half or two into this project, the audiobook’s original narrator was lost, not in the literal sense, but in the sense that he was no longer involved in the project. The details of that breakup don’t matter, but the gut-wrenching part of the ordeal was that I literally lost a year’s worth of work on the audiobook, as every single thing I’d done would have to be done again, with a new narrator. The absolutely wonderful, fantastic, can-barely-believe-it-happened part is that I discovered the best audiobook narrator humanly possible for Epic: Patrick Quance.

Patrick’s voice is like a mix of Leonard Nimoy and Jean Shepherd (the iconic narrator of A Christmas Story). He has an almost unreal ability to become the text; you’ll hear this difference when you compare his battle narration to his more tender readings. His voice conveys what the words make you feel, and that’s priceless. Of even more critical importance than that…Patrick is a outstanding human being. The experience of getting to know him during this project has been one of the highlights. I want this audiobook to succeed as much for him as I do for myself (I feel this way for all my actors). After the most demoralizing stretch of the project, when it was literally on the verge of completely crumbling, Patrick not only made it bearable, he made it outright a joy. I cannot imagine there was a more appropriate voice or person for the role of narrator. So he’s person number one on my two-person list of saviors.

The second person is Natalie van Sistine, Dawn of Destiny‘s dialogue editor. Without going into full-on gush mode, Natalie is the reason you’re going to be hearing an audiobook in your lifetime. Her role has a simple definition, and an exceedingly, exceedingly tedious process. Natalie patched together every line of dialogue in the project from Chapter 5 (where she came onto the project) to the end. That is what I hate to do. I love getting dialogue; I love hearing it. I hate patching it together. But Natalie doesn’t hate it. In fact, she loves it (or she did before facing this gigantic beast!). She delivered me every chapter of the audiobook in mp3 form, missing only sound effects and music, my bread and butter. Though you don’t hear her voice as prominently as the other actors in this project, you’re hearing her impact every time a line is spoken. So when you see “Natalie van Sistine likes this” on Epic’s Facebook page, take a moment to appreciate that this is a person whose efforts made this project real. Take a moment to thank her for it, because what she did for this audiobook is pretty special.

There are scores of other actors and actresses whose contributions were also vital to this endeavor. Though I hope to get into more detail about them in future entries on more personal basis, I want to at least mention them here. The ridiculously long list of cast members for this project is as follows: Stewart Cummings, Michael Paladine, Joshua Samson, Robin Egerton, Rick Tamblyn, Jake Eberle, Rick Simmonds, Paul Bellantoni, Al Wood, Charlie James, Elisa Eliot, Brian Fish, Gabriel Wolf, Jesse Cox, Steve Bailey, Jake Eastman, Kevin Frazier, Holly Larkey, Chetachi Egwu, Charles Lipper, Roosevelt Sims, Ellen Sowney, Wendy Podgursky, Xander Mobus, and Billy Sage. Counting the voices of Patrick and Natalie, that’s twenty-seven voice-over artists for this audiobook project. It’s enough to roll bonafide credits.

Here’s what I have to tell you: all of the above was written to detail the blood, sweat, and tears that went into this project. And sitting here now, listening to the final results of this labor, I can honestly tell you that it was worth every moment. This audiobook sounds special. If you plug in your headphones and close your eyes, you will be there. I’ve often referred to this as more an audio “experience” than a book. That holds true. Every single person listed above, to a T, has been sensational. More for them than for myself, I want this audiobook to succeed. They deserve it.

So what happens next? Just like with my novels, this audiobook is going to go through a “beta” process. Friends, family, and fans will listen to it and give me feedback. This is all a part of quality control – any product would go through this. If any adjustments need to be made, they’ll be made, at which point this thing will finally see the light of day. Just don’t ask me how, yet. I can pump out a novel on Amazon, but actually publishing audiobooks is new territory for me. So while my betas are listening away, I’ll be doing my research and examining my options to get this out there in the best way possible. This has taken 4.5 years. It won’t be rushed at the finish line. We’re going to do this right.

So sit tight for a little while longer while we sort out the finishing touches and plan the release. It will be worth it. It has already been for me.