Lee Stephen

The website of author Lee Stephen

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Meet the New Face of Epic

 

 

She’s been a tactical scout, a covert agent, a romantic comedian, and a world-class swimmer. Yet none of those roles will compare to the one Esther Brooking is about to assume. Ladies and gentlemen, meet the new face of Epic. Over the coming weeks, you’re going to see a lot of Epic’s favorite scout from Cambridge. You’ll read her thoughts on Twitter. See her likeness on deviantART. You might even hear the sound of her voice on YouTube. It’s not a coincidence that Esther is suddenly getting a lot of face time. She’s officially been named Epic’s character ambassador.

So what does that mean exactly? In the context of the Epic story, nothing new. Epic began, and will continue, with Scott Remington at the helm. But even the most casual fan of Epic would have to agree: no one brings quite the character resumé to the table as “Molly Polyester.”

Esther’s transition into the physical world via things such as Twitter and deviantART will give fans (and potential ones) a chance to experience Epic through the eyes of one its stars. In terms of importance, Esther is a top-5 character in a series with over a hundred named ones. Her quirky combination of sass and style is second-to-none. She’s a scene-stealer. Who better to spearhead a promotional campaign? Having Esther in the spotlight will provide name recognition to a series with an overabundance of names to choose from. She’s Epic’s pretty face to the world.

So get plugged into Esther Brooking! Tweet her—she will definitely tweet back. Keep tabs of her on YouTube…you may not have heard the last of her there! Check out her account on deviantART, where more will most certainly be added to her gallery. Heck, you can even zip her an email at esther@epicuniverse.com. Drop a line to Epic’s special-ops spitfire.

She’ll blast you back at every chance she gets.

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Facing 2013

I have never been a good blogger. It is, perhaps more than any other tangible reason, why I struggle to maintain social relevance. I know this, and so it is no mystery to me. It is among the things I am worst at.

There is a front that I have always put up. Perhaps I am alone in this as a writer, though I suspect not. It is not a front of confidence. Every writer has a measure of confidence, and we are often far too eager to share it for the sake of gaining prospective buyers, or as we prefer to call them, fans. If anything, we often have more confidence than we should.

My front is one of knowledge – not a lack thereof in the general sense, rather a specific knowledge. The knowledge of what to do next. It is a risky endeavor to confess that one doesn’t know what they’re doing, as they are sure to face a barrage of impeccable wisdom from people who have never walked in their shoes or experienced what they’ve experienced. But just the same, the reality remains. I have no idea what I’m doing. I never have. Sometimes I’ll have a general awareness of where “what should be done” is lurking, but it’s usually through third-hand information or by catching fleeting glances of its shadow as it darts around the corner. I am not referring to the general progression of Epic, the series, or of the process of actually writing text and creating products. My lack of clarity is, to put it simply, regarding what to do with those things once I’ve finished them. I don’t know how to sell this series.

I have tried to sell it, in many ways that I’ve always felt were creative and new, but few of which have bore the kind of fruit I’ve envisioned. And so I try more, and I try harder, as this creation called Epic pillages me of the placidity and lackadaisicalness that has always come naturally to me as a human being. I work myself to death. I plow fields of futility in the never-ending search for the grass that is always growing on the other side. I put my ducks in a row, then I watch as they scatter. But it hasn’t been until now that I’ve found enough of my center to lean back and examine myself without toppling over – and to listen to my wife as she told me again, “Lee, it’s because you have no faith.”

It is both challenging and humbling for a Christian – a church deacon, no less – to confess that he lacks faith. The faithful servant does his duty to the best of his ability, then leaves it to God and moves on to the next thing, knowing that God’s will will be done, and that regardless of the outcome for him personally, all things will work for the greater good. The analytical capitalist, however, examines what he’s done, measures its successes and failures, then returns to it to constantly tweak and fiddle in a vain effort to grab perfection while the mirage is still there. When he fails, he tries again. He asks why. He works harder, because in America, if you work hard enough, you will succeed. The thought of leaving something alone – of letting it go and leaving its fate in the hands of something else – is borderline lunacy. It’s also the right thing to do.

My goal for 2013 is not to work harder. It’s not even to work smarter, despite the fact that some steps will be taken to do so. My goal is to have faith. To do, to the best of my ability, then to let go. To not worry about the fact that I haven’t begun Enemy One yet, or that I’m producing an audiobook that I have no idea how to release, or that the author over there is soaring to the heights of financial prosperity while I am not. My goal is just to trust. To remember that no sparrow can fall to the ground without the Father’s allowance. To remember that I am more valuable to God than many sparrows. This is not a New Year’s resolution. This isn’t limited to a 365-day time span. This is a change.

I have a lot of things planned for this coming year that I believe Epic fans will love. There’s the Dawn of Destiny audiobook, the novella I’m writing for Goldhawk Interactive called Xenonauts: Crimson Dagger. There is something incredibly cool that I’ve already alluded to in a post on Epic’s Facebook Fan Page (that I’m fairly certain no other indie author has done before), which I don’t mind saying now is related to question #4 on my “Next Big Thing” blog post. There’s some breathtaking artwork that will be posted soon, courtesy of a very talented artist from the website deviantART, along with some Epic merchandise that might actually be worth buying. I’ll even be going to boot camp with Toni and Shannon, the tag-team from Duolit, to begin my transformation from socially irrelevant indie peon to a lean, mean, force to be reckoned with. I still have a drive to be the best. I am still ferociously competitive. I will never be a person satisfied with “good enough.” But I also realize that without faith, all labor is for naught. And that as much as any artist strives for prosperity, it isn’t what’s most important (regardless of how competitive one happens to be). What’s important is that work is given to God, and entrusted to God, that it might be used by God. Only then will it be what He intends for it to be. I am learning to be okay with that. I am striving to desire that. It is easy to say, “I want God’s will,” when all too often what we want is our own success and the praise that comes with it. It is difficult to be Christ-like. This is the struggle for the Christian.

Long ago, before I wrote the first line in Dawn of Destiny, I dedicated Epic to God. Slowly over the years, I’ve wrestled it back, not necessarily in the scope of the plot, but in the scope of my own efforts in trying to market it. I’ve tried to do this myself. But I can’t. Nor should I. And so now, once again, I am turning this series over to God. I will trust that its success or failure is not contingent on my ability to be all things at all times for it. I will do the best that I can, then I will hand it over. What happens then will be out of my control – as it was always intended to be.

And that will be okay.

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The Next Big Thing

Big thanks to Patrick Todoroff for tagging me to answer ten questions in “The Next Big Thing.” No beating around the bush, let’s get right to it.

 

1) What is the title of your next book/work?

I’m actually working on three things at the moment. The first, deadline-wise, is Crimson Dagger, a novella I’m writing for the indie video game Xenonauts, currently in production by Goldhawk Interactive. The second project, which is also my most ambitious to date, is an audio adaptation of the first book in Epic, Dawn of Destiny. The trailer for this project was actually just released and can be viewed here:

 

And the third project is the fifth installment of Epic, Enemy One, which has gone through a bit of pre-planning and is “in the queue.”

 

2) Where did the idea come from for the book/work?

I was always inspired by science-fiction. I grew up watching Star Trek and wasted countless hours of my life playing video games such as X-Com: UFO Defense. Military Sci-Fi was just a natural fit. The human condition has always fascinated me. It’s definitely something that drives me forward, fiction-wise. The imperfection of man is an incredible canvas.

 

3) What genre does your book/work fall under?

All of the above fall under military science-fiction.

 

4) What actors would you choose to play the part of your characters in a movie rendition?

EDIT: This question has been addressed in future blog entries! Check out the explanation here.

 

5) What is the one-sentence synopsis of your book?

Epic is the story of man who sacrifices everything to follow what he believes is a calling from God to enlist in a war against hostile extraterrestrial forces.

 

6) Will your book be self-published or represented by an agency?

I publish my material independently.

 

7) How long did it take you to write the first draft of the manuscript?

The first installment of Epic took six years to write. Right now I’m averaging a book every 2-3 years.I’d love to be a bit quicker, I just have an incredibly busy life.

 

8) What other books would you compare this story to within your genre?

In terms of overall feel, I’d probably say Black Hawk Down, even though that doesn’t fall under science-fiction. But I think the general feel of being in the trenches of an interspecies war is very similar to the raw brutality of BHD.

 

9) Who or what inspired you to write this book?

I get inspired by things that happen in life. I know that’s a very general answer, but it’s the truth. So much more important than unexpected twists and gimmicky story elements is just writing about real things that happen to real people. It doesn’t matter if they’re soldiers in an alien war or neighbors down the street – everyone is going through something that other people can relate to. If you can tap into that, and if you can make people have an emotional connection to it, then it doesn’t matter what you’re writing. If people care, they’ll come along for the ride. So in that way, life inspires me.

I’m also inspired greatly by my religious faith. As a Christian, I find that most “Christian-themed” fiction often sugarcoats what a life of faith truly is, which is very, very hard. We fail more often than we succeed. I try to have that represented in my protagonists.

 

10) What else about the book might pique the reader’s interest?

It’s just fun. It’s a series that’s four books and counting. It’s doing things few other series do and going places few other series go, both plot-wise and in tangible areas, such as the audio adaptation of Dawn of Destiny. Military Sci-Fi with a touch of faith. You don’t come across that often!

 

The writers I’m tagging next are Robert Fanney and Raphyel Jordan.

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Does Faith Belong in Sci-Fi?

“I have nothing against Christian or Christian writers, but when I want a ‘Christian’ story, I will buy one. When I want military Science Fiction, that is what I want.”

“Pages upon pages of God this and God that … Oh GOD cut it out! If I want to be preached to, I’ll go to a sermon. When I read military science fiction, I want a good story, NOT a spiritual rant.”

“The main character had a fixation on the Bible. For no apparent reason he would start thinking about his ‘faith,’ question god’s ‘plan,’ do some soul-searching, then decide he is doing what god ‘wants’ him to do.”

 

Well…that answers that!

Not so fast.

The quotes that kicked this entry off, if you haven’t figured it out, are from selected 1-star reviews for Dawn of Destiny, the first installment of my Epic series (NOT representative of the vast majority of its reviews). The same sentiment can be taken from each: an unequivocal insistence that stories of faith have no business being in science-fiction. They are oil and water. Wheat and chaff. Teenagers and turn signals. So the question remains. Does faith belong in science-fiction?

My answer is unabashedly, wholeheartedly, yes.

Now before some of you get all crazy on me, take a moment to understand the statement you just read. It did not say, “To not advocate [insert any name of any religion] is to fail.” Nor did it read, “To say that God is not real is to fail.” Take a look at the fundamental basis of the originally-proposed question. Does faith belong in sci-fi?

According to a 2011 survey, 51% of the global population has a belief in God, with varying percentages falling under such options as, “believes in an afterlife,” or “undecided.” Only 18% classify themselves as “not religious.” Bear in mind, “not religious” does not equal “atheist.” It simply means “not religious.”

Faith is real. That is not to argue that it is correct, or proper, or in need of emphasis. It is simply to state what it states. Faith – the human belief in some sort of Almighty – is real.

This is really just touching on something that has become somewhat of a passion point for me lately: the mindset that the word “God” should never appear in any sort of science-fiction (unless it’s followed by an expletive). Characters who seem real should appear in science-fiction, and if characters who seem real should appear in science-fiction, then characters of faith should appear, as well. That’s not an opinion. Unless your protagonist is an atheist who will have zero contact with any other human throughout the course of your story, or the full length of the narrative takes place at an atheists’ convention, then faith must appear to some extent to capture the essence what we should strive for: realism..

Obviously the question still remains, to what extent should faith exist in a science-fiction story? And the answer is, “whatever you want.” Including faith does not mean pushing it. It does not mean leaving footnotes to Bible verses. It doesn’t even mean making the person of faith the hero (heroes are heroes, religious or atheist). But it shouldn’t be ignored. It exists, in the same way that atheism exists, in the same way that agnosticism exists, in the same way that this whacked-out kid who married a cow ( http://www.metro.co.uk/weird/830794-man-forced-to-marry-cow-faints-at-wedding ) exists.

Me, personally? I’m not a fan of laying it on thickly. In spite of what the reviewers at the top of this entry think they read (I’m fairly certain it wasn’t my book), my preference for faith inclusion leans toward light and subtle. Because isn’t that how most of us are, most of the time, with everything we do? Realism is captured in subtleties. Now, the faith element of Epic and in particular in Scott Remington – my protagonist – is absolutely there, and I make zero apologies. But we – and particularly the owners of the quotes that kicked off this entry – make a mistake when we view “there” as “preaching.” We make a mistake when we don’t want faith present at all. We might as well marry a cow.

Okay, so that last line didn’t make sense. But just the same…what the heck was that kid thinking?

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Writing Rant: No Room for Speculation

I want to talk about a term that really bothers me. It’s one that has become, especially as of late, a catchphrase for many writers. Though the term has existed since the 1940s, it’s popped up in droves over the past decade or so. If you read anything, it’s impossible to ignore.

I am talking about the term, “speculative fiction.”

If you ask most speculative-fiction writers what exactly speculative-fiction is, you’ll get the following answer: “Speculative fiction is fiction that asks, ‘what if?'” Here’s my beef with that. That’s any fiction. That’s the point of fiction. That is what fiction is. Why so add the word “speculative” to it?

The exact definition for speculative fiction can be found here. “Speculative fiction is an umbrella term encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts.” That is literally everything. Anything you could ever write that could be described as fiction fits into speculative fiction.

What if there were these vampires that sparkled like diamonds in the sunlight, and they were battling these werewolves in this big romantic-drama storyline? Hello, Twilight.

What if there was this world where there were life and death games played by children who won some sort of lottery? The Hunger Games.

What if a mysterious gunslinger wandered into an old western town and befriended a young boy? We’ll call that one Shane. (and before anyone says, “that’s not on the list of spec-fic genres,” yes it is; if it’s history that never happened, it’s alternate history – another term that bugs the heck out of me).

What if a guy was hunting this white whale? What if there was a galaxy long ago that was far, far away? What if animals on a farm created their own government?

You get the point. Everything is speculative fiction. Garfield is speculative fiction. Ace Ventura: Pet Detective is speculative fiction. Heck, fantasy football is almost speculative fiction. “What if Drew Brees could throw to Calvin Johnson?” Well, there you go.

For the life of me, I fail to see any reason to call yourself a speculative fiction writer except to call yourself a speculative fiction writer. Why not just call yourself a “writer?” Or if you’re genre-specific, be genre-specific. You write science-fiction. You write westerns. You write period romance. To me, saying that you write speculative fiction is no different from saying that you write finger-tappin’ fiction, which is fiction that happens when your fingers tap a keyboard. Does that term actually mean anything significant? Nope. But it sure sounds like it means something.

“Hey, whatcha reading?”

“Why, I just got me some finger-tappin’ fiction by Lee Stephen!”

“Well shoooo-eee and yee-haw!”

Actually…that’s not too bad. Finger-tappin’ fiction! I like the sound of that. Lee Stephen, writer of finger-tappin’ fiction! I think that can take me places.

So I guess the whole point is…be a writer of what you write. Don’t group yourself into a term that exists solely to exist. Be proud of the genre you write in, and if you write in more than one, say you write in more than one. Or just say you “write.” Look – being able to write in many different areas is a skill unto itself. Calling yourself just a writer isn’t bland, it’s a testament to your ability to be diverse. Be proud of that. Don’t feel the need to try and sound more unique or talented than you already are.